Unwelcome voices: The gender bias-mitigating potential of unconventionality

• 成果类型: Article
• 署名作者: Parker, Owen; Mui, Rachel; Titus, Varkey, Jr.
• 署名单位: Oklahoma State University System; Oklahoma State University - Stillwater; Universite de Rennes; University of Nebraska System; University of Nebraska Lincoln
• 刊物名称: STRATEGIC MANAGEMENT JOURNAL
• ISSN/ISSBN: 0143-2095
• DOI: 10.1002/smj.3104
• 发表日期: 2020
• 页码: 738-757
• 关键词: creative industries; GENDER; Leader; PERCEIVED QUALITY; ROLE CONGRUITY

摘要

Research Summary Substantial evidence indicates that leaders are perceived through a lens of gender bias, but what mitigates such bias remains underexplored. Examining men and women in creative, project-based leadership roles, we integrate insights from role congruity and gender bias literatures to predict how project unconventionality and leader gender affect external perceptions of project quality. We argue that prejudice against female leaders is strongest for conventional projects due to the established presence of male-centric prototypical projects which induce bias, but that project unconventionality weakens this bias by distancing the project from these male-centric prototypes. We find support for this using a sample of 1,414 films by 32 major film studios (1990-2014) across three measures of perceived quality: moviegoer ratings, critic ratings, and film awards. Managerial Summary Despite recent strides in gender equality, women are still highly underrepresented in leadership positions across all kinds of organizations. This is partly because society still views women as less fit for leadership, and this both prevents the appointment of female leaders and damages audience perceptions of the few projects that women do lead. Surprisingly, we know little about how to address this bias. In this study, we predict that in terms of how audiences rate the quality of a project, unconventional projects are less susceptible to gender bias. After examining 1,414 feature films from 32 major studios, we find that whether audiences rate a female-directed film poorly depends on its conventionality-conventional films favor male directors, while unconventional films favor female directors.